I can hold a grudge against water. Life’s always been scarce for me.
The way it runs down a forearm, off the elbow to pool on the floor
as I wash my face, the uncontrollable waste. The way failure
clings like two wet sleeves. When I wing it and flop, there’s guilt
(blame it on my lack of discipline). When I rehearse and miss,
I feel shame for all God hasn’t given me. There are rituals
for stanching loss, distributing risk, and who doesn’t resent
involuntary donation? Blood, years, belongings. A parking ticket
left on the windshield protects, but one bite from a mosquito,
one cancer, can’t defend you against another. Phone, cash, cards
must be stashed in different undergarments, pockets whenever I leave
the house. And then, there was the time I drove a dangerous highway,
thumb-drive buried in my bun. I stood beside the empty road, lined
with shade-less mesquites, watching the car-jackers speed away,
my suitcase and computer in the trunk, files and poems bobby-pinned
to my skull. All those years, I thought it was profligacy, the eleven
children my father once boasted of having by almost as many women.
This was a dinner party in the seventies, population a ticking bomb.
What will you do when we run out of space? a disgusted guest asked.
My father stood up and slurred, I’ll make room, flinging his arms wide.
Not even my passwords are retrievable without a password.
The landlady in black knocked, gesturing wildly. Anemos, she cried.
Anemos! It had been a sleepless night of wind and neither of us
spoke Greek. Spirits? we hazarded. Ghosts? How did Latin for enliven
turn into anger? May your animus be brief! I wish I could be
amicable, but civility is built on form, form on what is
predictable. The doorstep's box will be ripped open, the packer’s breath
released, the cardboard flattened, tied, and trashed. Another order fulfilled.
The ancients said we contain earth, fire, water and air. Terrance Hayes said
the sonnet is wind in a box. On the highway, the wind urges me
into an oncoming trailer the way I fight the tongue's urge to swerve
into the dentist’s drill. Nine months in a windless box, and every breeze
freaks out my newborn, eyes squeezed tight. How to keep a ghost from finding you,
finding this body—a spare room in an island house that lets air move
through as it hugs rock. Kneel down and hold your hand to the threshold. Feel it.
Brandel France de Bravo is the author of Provenance and the chapbook Mother, Loose. Her poems and essays have appeared in Alaska Quarterly Review, the Cincinnati Review, The Georgia Review, Gulf Coast, Poet Lore, and elsewhere. She teaches a meditation program developed at Stanford University called Compassion Cultivation Training©.