Dorothy’s parents are no longer with us. The farm is well in its current state
with walls of dust testing its sutures. Emily and Henry feed crullers to the hands
and do what they can in their desperate times. They wonder what will make it
as their neighbors have gone. I scoop a palm of dirt and the topsoil is barren.
A fence surrounds the farm but there are no thieves to be seen, and the livestock
has nowhere to go, no energy to try. The folks are crushed by the huge storm
and they wonder if immaculate Dorothy won't make it. They watch her sleep,
her body needing no food. There may be greener pastures in the world that follows.
There may be luck in the blossoming darkness. There will be survival as the young
woman dreams. If this were Oz it would all be the same. A nowhere no one remembers
apart from leaving it.
Wouldn’t it be the result of a rainbow? The sky saves
what it wants to make wind. My mother saves her spot
in the field. Nothing ever to be summed in a tale.
At each of the corners it’s easy to rot. Pieces of wood
ripe for flame. Crunched leaves to spoil the air.
Car exhaust and carbon monoxide. Removal of each
of all the detectors. Death contained in every body.
God’s progeny in human form.
At the molecular level my skin is porous. None
of the wishes ever in color. My precious riparian zone.
Frogs flown in the day sky. Doors never locked.
Brett Salsbury has had work most recently appear in deLuge, SUSAN, The Rockvale Review, Gasher, and Pretty Owl Poetry, with more work forthcoming from Two if By Sea. A graduate of the MFA program at UNLV, he has also served as a writer-in-residence at Sundress Academy for the Arts.