It was one of those lonely, downbeat nights.
You know the kind, when you find out
your baby ran off with some butter-tongued
sax player who blew into town for a quick gig,
the type whose eyes always draw four aces,
and you feel like yesterday’s evening edition
of The Splitsville Gazette, and just as midnight
drops its calling card, you’re out roaming
the streets, and the whole neon-drunk city
sounds like a song Hoagy Carmichael couldn’t
bear to write, and then you hear a police siren
and a couple of gun shots, and you think,
Well, at least somebody’s out of his misery,
and before you know it, it’s two a.m.,
and you’re sitting by yourself in Frank’s Diner,
and your poached eggs are as cold as the empty
half of your double bed, and you see her two-
timer’s face in your hash browns, and it hits you
like a punchline that no matter how much sugar
you add to your cup of joe, you’ll never rid
your mouth of the bitter taste of heartbreak.
The Bard of Avon—if, indeed,
it is the Bard—looks rakish with
a gold hoop earring in his left lobe.
I thought about getting an earring
back in the mullet-&-mustache-
Qiana-shirt Me Decade. Decade
was my first Neil Young album.
When I was young, I had to visit
my pediatrician for weekly needles.
Sharon Needles is a Pittsburgh
drag queen and friends with glam
trans rocker Jayne County.
I grew up in Middlesex County,
New Jersey. I didn’t care for jerseys
or the shots in my left bicep to treat
my allergies to grass and cats.
I was a Cat Stevens fan in college,
songs like “Angelsea” and “Boy
with a Moon and Star on His Head.”
I suffered a severe head injury in ’08.
It tossed my emotions in a blender
and threw off my sense of balance.
I used to eat Balance bars.
The Chocolate Craze nutrition bar
contains 18 grams of sugar. Gram
Parsons was a member of the Byrds
for Sweetheart of the Rodeo, which
opened and closed with Bob Dylan
“Basement Tapes” songs. I saw Bob
Dylan with Tom Petty in New York
the summer of ’86. Ronnie Wood
joined on “Like a Rolling Stone.”
Eighties Bob looked like Stoner Bob,
sleeveless T-shirts and leather vests,
a dangle earring in his left lobe.
Joel Allegretti is the author of, most recently, Platypus (NYQ Books, 2017), a collection of poems, prose, and performance texts, and Our Dolphin (Thrice Publishing, 2016), a novella. He is the editor of Rabbit Ears: TV Poems (NYQ Books, 2015), which the Boston Globe called “cleverly edited” and “a smart exploration of the many, many meanings of TV.”