The needle drops,
and it’s June 25, 1961.
The Bill Evans Trio
is still very much alive.
I’m sitting there,
in that tiny, smoke-filled
basement room
on 7th avenue,
where the trio
plays its last show —
though it’s still
impossible for
them to know.
They’re so deep
in the pocket,
you can disappear
in there with them
and the rest of
the ghosts of
Greenwich Village.
Scott LaFaro’s
bassline skips
and weaves in
and around
Evans’ sparse
chords, their
voices over-
lapping.
Evans’ touch
on the keys,
so light,
it's like his
fingers are
afraid of
making too
much sound.
Paul Motian’s
brushwork dies
down, though
it’s never entirely
quiet, with the
background hum
of the audience,
the clinking
of nightclub
glasses.
12 days from now,
LaFaro will be gone
forever, at just
25, but in this
moment, this
Sunday, in this
club, no one
has any idea
what will
happen next,
and anything’s
possible.
Josh P. Cohen is a librarian living in Lancaster, PA. In addition to poetry, he writes plays and songs. In 2020, he had a poem nominated for a Pushcart Prize and will have work appearing in the forthcoming Keystone: Contemporary Poets on Pennsylvania.