I wish you could see what I see…
—letter from Georgia O’Keeffe, NM to Alfred Stieglitz, NY
When she left him, again
and again, made her way
faraway—the dead all around
where she gathered bones
instead of flowers—
I imagine her
with the broken part. Did she
live with the splinters
as if a cracked mirror? Gaze
into a single, smooth corner
and find everything there
still whole: the bleached
cliffs, stripped carcasses,
twisted cedar limbs—all
ripe for resurrection?
You’ve got to have nerve,
she said, grafted herself
onto the desert where
she made the pelvic cavities
of stags brim
with Southwest sky,
their antlers vibrate,
floating and fleshy,
while the canvas holds
just a bouquet of bones
looming over
the mountain. She tucked
a pink calico rose
in the socket of a horse’s skull
so it could see beyond
the sand and dust.
In their five thousand letters
is she there
or between the lines—
satisfaction or hunger?
I could believe both.
I marvel at her search
for the wideness
and the wonder, giant
pinwheeling jimson weeds
around her. How she turned
their wild roots into gold.
Maria Surricchio is originally from the UK and now lives near Boulder, Colorado. She began writing poetry in 2020 after a long marketing career. Her work has been widely published and nominated for the Pushcart Prize. She holds a BA in Modern Languages from Cambridge University and is pursuing an MFA at Pacific University.